Thursday, October 8, 2015

Lillian Gish on "The Greatest Thing in Life."

In the Sunday NYT Magazine, Lillian Gish wrote of “The Greatest Thing in Life”

“One of D. W. Griffith’s most interesting films and I can’t find it. It was made as an answer to those who had been attacking “The Birth of a Nation.” In it he deals with the colored man. Colored people raised Griffith: he loved them and they loved him. I recall a very unusual scene at the movie’s end. Two men are caught in a shell hole in World War I – one a dying colored man, the other a white snob. The colored man, though he’s dying, gives all the water he has to the white man and saves his life. Becoming delirious, the colored man asks for his mammy to kiss him and the white snob leans over and kisses him full on the lips. It was daring, very moving, and not funny, as it may sound when I tell it. “The Greatest Thing in Life,” as Griffith saw it, was love, love of your brother, your fellow man, whatever he is and of whatever color.”

Miss Gish played the female lead in “The Greatest Thing in Life,” and Robert Harron was the male lead. The film was released in 1918 and one of three Griffith filmed while in the UK. Elmo Lincoln is credited as playing “The American Soldier” in the film. Griffith cast a black man for the film rather than casting a white actor in black face as in the most controversial scenes in “The Birth of a Nation,” based on an early 20th century bestselling book, “The Clansman,” written by Baptist minister Thomas Dixon. The book was so popular stage plays based on the book toured the country.

By the time Griffith filmed “The Clansman,” he had a huge and interested audience with a hot property and a new and inexpensive medium for audiences to “enjoy” the film. Children, in 1915, got a reduced price to see “The Birth of a Nation” in New York.

An interracial kiss between two men, for 1918, sounds astonishing but I saw a photograph of it. I am not sure if Griffith had second thoughts and destroyed it or if Griffith’s business partners wanted the film “lost.” Descriptions of the film, like that of Miss Gish, cannot, of course, do justice to the actual scene or seeing the scene acted.

A largely full print of the film exists. I thought the owner would have released it in 2015 as that was the 100th anniversary of “The Birth of a Nation.” It has not happened as of this writing. Another important date is coming up and perhaps it will surface at that time.

In the same article, Mary Pickford wrote, briefly, on the “The Birth of a Nation.”

Jim Patterson


No comments:

Post a Comment